george klauba
Ishmael New Bedford Father Mapple Queequeg Starbuck Stubb Flask Tashtego Daggoo Ahab Fedallah The Spirit Spout The Funeral The Pod The Castaway The Forge The Whale Watch He Declared That a Whale Must Be Near Like an Opened Door Marble Tomb The Chase Ahah's Boat Seemed Drawn Up Towards Heaven From Hell's Heart I Stab at Thee Moby Dick Flask as Killer Whale Death to the Living; Long Life to the Killers--Ahab Pip's Dream Trilogy: Immersion Pip's Dream Trilogy: Surrender Pip's Dream Trilogy: Rebirth Fedallah Nearing Japanese Waters Queequeg With Japanese Tattoos Transformed Ahab Dismasted Moby Dick, The Hunt in Japanese Waters The Drama's Done Triad in a Northern Sea
Moby-Dick
The seeds for my avian-Moby-Dick paintings were planted many years ago. As a child, I discovered the Illustrated Classic Comics Two Years Before the Mast and Moby-Dick, stories that enthralled me and captured my imagination.

In 2003, I returned to Moby-Dick as a mature artist. My previous paintings with ‘bird-people’ had made me aware that Melville’s characters could be seen in a new light—that bird characteristics could convey the characters’ interior lives. The more I painted, the more I became aware that I was part of something substantial and memorable beyond myself. I could almost feel the tarry breath of whalers behind me as the paintings became more detailed and involved.


Moby-Dick paintings are photographed by Saverio Truglia.
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